Celebrate Black Literature: A Q&A with Liara Tamani

Join us in celebrating Black Literature as we continue to highlight black Texas authors, readers, and contributors to the literary community in a series of blog posts. Thus far, we’ve had contributions from  TBF Community Ambassador Peggy Terryaward-winning children’s author and illustrator Don TateDr. Rosalind Oliphant Jones, founder of the Austin African American Book Festival, the new Austin Public Library director Roosevelt Weeks. and Texas Sci-fi author Nicky Drayden.

Today, we’re happy to share this thoughtful Q&A with lovely Houston YA writer (and 2017 Texas Book Festival author) Liara Tamani! Tamani, “a strong believer in following your heart, even when you don’t know exactly where it’s taking you,” holds a BA from Duke University and an MFA in Writing from Vermont College and has had a rather exciting and varied career path on her way to becoming a writer: she’s been “a marketing coordinator for the Houston Rockets & Comets, a production assistant for Girlfriends (TV show), a home accessories designer, a floral designer, and yoga and dance teacher.” She was raised in Houston, and lives there now with her daughter and her succulent collection.

 

Texas Book Festival: What made you want to write for teens? 

 

Liara Tamani: I can’t say that I set out with the intention to write for teens, but I can say that I feel honored to be writing for them now. When I wrote Calling My Name, I wasn’t thinking about where it would be placed on the shelf. I was blissfully living in the land of Let Me Write the Best Book I Possibly Can and was completely naïve about the business side of publishing.

After I finished the book and started sending it out to agents, I learned the voice was best suited for the YA market, which didn’t surprise me. I’d written the book for my teenage self.

Calling My Name is the book I desperately needed as a teenager. I needed a book to let me know it was okay to think differently than all the people around me. I needed a book to let me know it was okay, necessary even, to find my own way, to figure out what I believed and who I wanted to be. I needed a book to let me know that the best guide in my life would be my own intuition.

It fills me up when I think about teens reading my words and possibly taking away these lessons. Teens have so much power. But when they are mentally trapped inside the expectations and opinions and beliefs of other people, it’s hard to realize that power.

To be able to write for young people, to be able to help them connect to all of the beauty and power and light and intelligence that resides within them, is a huge honor. And I’m grateful for it. Teens will change the world.

 

TBF: You have quite the prestigious CV (undergrad at Duke, law school at Harvard, design school at Otis, earning an MFA at Vermont College of Fine Arts). What lead you to writing? Was it a life-long dream or a sudden inspiration?

 

LT: I’ve always been a writer. I just didn’t know it. Trying to live up to the expectations of my dad, who wanted me to become lawyer, disconnected me from my own dreams.

All throughout middle school and high school, English was my favorite subject. I loved reading and took a lot of pride in my writing. Writers were who I saw myself in. My college admission essays were about my deep connection to Toni Morrison’s The Bluest Eye and Zora Neale Hurston’s Their Eyes Were Watching God. But I still didn’t know I was a writer.

In college, I majored in Political Science (because that was the major I thought would best prepare me for law school), but I squeezed in literature whenever I could. For a history term paper, I wrote about Phyllis Wheatley, the first published African American female poet. For a political science term paper, I wrote in depth about W.E.B. Dubois’ The Souls of Black Folk. My professors always accused my writing of being too literary. They wanted me to write more straight forward, to take out all of my “flowery” language. But I still didn’t know I was a writer.

In order to connect to the dormant dream living inside of me, I had to shed other people’s expectations and opinions of me. I had to trust myself. And I eventually did, mostly because I couldn’t face the sadness of living a life without passion. The first step I took was dropping out of Harvard Law, despite what everybody thought about it (and believe me, people had their thoughts).

After law school, I chose to move to Los Angeles, a place with lots of sun and a large creative community. Around the time I started writing, I was running my own design company and reading a lot of fiction, something I actually had the mental space for because I wasn’t studying all the time. I’d recently finished reading White Teeth by Zadie Smith and Drinking Coffee Elsewhere by ZZ Packer when I sat down one night at my drafting table with my laptop and started writing. It felt like home. And from then on, I knew.

 

 

TBF: Calling My Name is set in Houston, where you grew up. What do you love most in writing about Houston? What are the pros and cons about writing a book set in your home city?

 

LT: I love representing Houston! When people from other parts of the country and world think of Texas, they often still picture cows and horses and fields. Texas has a lot of that, sure, but it’s so much more than that. Houston is the fourth largest city in the county. And it’s the most racially and ethnically diverse city in the country, but we don’t see that in its representation. I love that Calling My Name allows people to see Houston through the eyes of a young, black girl living in the suburbs. A very common experience in Houston (and in the south in general), but not one that’s well represented.

And teenagers of color know this. On my high school visits in Houston this year, the students were geeked about the book taking place in Houston and about me being from Houston. I loved witnessing their pride. Everybody wants and deserves to see themselves in books and TV and film. Everybody wants and deserves to be represented.

I also loved learning more about my hometown while researching the setting. I was on Google Maps travelling down streets I’ve never been down before. It was cool exploring Houston.

In summary, I loved everything about writing a book set in Houston. 🙂 No cons.

 

TBF: What are you working on now?

 

LT: Book two! I’m soooo excited about my second novel. It’s very different from my first, but I absolutely love it. It’s written in alternating first person perspectives (girl-boy), and the whole book takes place over the span of two months. By comparison, Calling My Name takes place over five years. I don’t want to give away too many details about the new book because I’m not finished with it yet. But it’s coming! And I can’t wait for everyone to read it! And it’s also set in Houston—this time, present-day Houston.

I also just finished a short story that will appear in a YA anthology edited by Ibi Zoboi entitled Black Enough: Stories of Being Young & Black in America. In it, my words will be alongside the words of some of my favorite writers, including Renée Waston, Rita Williams-Garcia, and Jason Reynolds. I’m so thrilled. Look out for it next year!

 

Books to Read When You’ve Seen Black Panther and Need More

 

It’s been almost a week since that gorgeous, groundbreaking, record-shattering juggernaut of a film, Black Pantherhit theatres. I know a lot of us saw it opening weekend—it did earn $201.8 million domestically in three days, after all, which makes Black Panther‘s debut the biggest domestic opening weekend ever for a black director and the biggest global opening ever for a film with a predominantly black cast (you can read more about the film’s many historic successes in this fantastic Buzzfeed article).

So now that you’ve seen it (probably multiple times, maybe enough times that your wallet is shaking its head—yeah, us too), what do we do while we wait for the next appearance of T’Challa (hopefully along with Nakia, M’Baku, Shuri, and the whole crew) in Avengers: Infinity War?

We read, of course! Our resident Science Fiction and Fantasy nerd Lydia is recommending some brilliant Afro-futurist and/or fantasy/magical realism by African and African-American authors to get us all started.

 

Black Panther comics, by multiple authors

This seems like the best (and most obvious) place to start. Both the original history-making series written by Don McGregor and the new reboot series (written by MacArthur genius, National Book Award-winning author Ta-Nehisi Coates) are fast-paced, thoughtful works full of adrenaline-fueled fun and unapologetic black pride. Know a young reluctant reader who can’t stop raving about the movie? Get them started on the comics, and they’ll be ready for Ronald K. Smith’s new middle grade novel, Black Panther: The Young Prince, in no time.

 

Everfair by Nisi Shawl

One of the most intriguing aspects of Black Panther is its setting, the hidden-in-plain-sight hyper-advanced country of Wakanda. Due in part to the rich resources brought by a Vibranium meteor, Wakandans were able to develop incredible technology that puts them a hundred years ahead of the rest of the world (eat your heart out, Tony Stark).

Similarly, Nisi Shawl’s masterful steampunked-history novel Everfair explores an alternate reality in which the people of the Congo were able to develop steam-powered technology ahead of the violent oppression and invasion from colonizing Belgium, England, and other developed nations. Everfair becomes a sanctuary utopia sheltering Congolese natives, as well as Africans stolen and pressed into slavery who escape from America and other nations to return. A fantastically complex tapestry woven from many voices, Everfair is a brilliant story about a little-studied time and place.

 

What is Means When A Man Falls from the Sky by Lesley Nneka Arimah 

Arimah’s collection of magical realism stories set in many places, including Africa (much as the author herself has lived in many places, including Nigeria) is full of shimmering strangeness and wonder and possibility which, when cast alongside the grounding themes of family tensions, class dynamics, and dislocation, makes her first book truly one of a kind. Arimah’s work has received numerous grants and awards, including the 2015 African Commonwealth Prize and an O. Henry Award, and What is Means When A Man Falls from the Sky leaves no doubt as to why.

But! You don’t have to take my word for it: listen to national treasure LeVar Burton read the title story of Arimah’s collection on Episode 5 of his new (amazing) podcast, LeVar Burton Reads, as well as a fantastic bonus conversation with Arimah following Episode 8.

 

The Binti trilogy, by Nnedi Okorafor

This is a must-read for all of us celebrating the introduction of the newest Disney princess, genius techie smart-aleck Shuri. Nnedi Okorafor (who has also written for the Black Panther franchise) presents a masterpiece in the Binti trilogy. The story follows the titular character, another 16 year old African genius, on a journey to take her place at the most revered university while struggling to both preserve her cultural identity and survive extra-terrestrial war.

I also highly recommend Okorafor’s Akata Witch (and sequel, Akata Warrior) and Who Fears Death, which will be adapted into an upcoming HBO series (produced by George R.R. Martin).

 

The Prey of Gods by Nicky Drayden (a 2017 Texas Book Festival author)

Texas author Nicky Drayden’s novel of interconnected stories set in South Africa follows a young Zulu girl with immense powers, a queer teen who discovers he can control others’ minds, a sarcastic pop diva, a politician with a hidden side, and an ancient demi-goddess desperate to claw her way back to her former power. This book is an adventure and a whirlwind of fun.

Be sure to check out Nicky Drayden’s recent Q&A with Texas Book Festival where she talks writing, world-building, and her forthcoming novel, Temper!

 

Children of Blood and Bone by Tomi Adeyemi

This one comes out next month but we can promise—it’s completely worth the pre-order. This smartly paced, brilliant fantasy built on West African culture and folklore features a kingdom on the brink of war, forbidden magic, violent tensions in the royal family, and the age-old clash between modern change and traditional culture. This may be Adeyemi’s debut novel, but her immersive world-building and deft handling of several characters and a slow-burn, conflicted romance makes her a star on the rise. Children of Blood and Bone has been collecting rave reviews and deserves every word.

 

After the Flare by Deji Bryce Olukotun (a 2017 Texas Book Festival author)

In this brief but hit-the-ground-running quick-paced novel, Deji Bryce Olukotun explores a future where an enormous solar flare destroys electrical systems worldwide, strands an astronaut on the International Space Station, and leaves Nigeria the only country with a capable and working space program. At times serious and other times wryly hilarious, this is not one to miss.

 

 

The Inheritance Trilogy by N.K. Jemisin

I’ve already recommended Jemisin’s award-winning record-setting Broken Earth trilogy on this blog and to everyone I know, but those are certainly not her only amazing books. Warring factions, royal families with dark secrets, surprise heirs—N.K. Jemisin brings all the profound history and family drama that helped make the Black Panther film so great in her Inheritance Trilogy. If you’re into rich fantasy, complicated families at war for the throne, and all-around badass women, run out and get The Hundred Thousand Kingdoms and meet Yeine Darr today.

 

Beasts Made of Night by Tochi Onyebuchi (a 2017 Texas Book Festival author)

Onyebuchi’s dazzling world of sin-beasts (manifestations of a person’s sins) and Aki (young sin-eaters indentured by mages to destroy the beasts) is home to a young aki, Taj, working a dangerous job to help his family survive in the corrupt walled city of Kos. The first in a duopoly, Beasts Made of Night is perfect for lovers of dark magic tales and underdog triumph.

 

 

Also recommended: everything ever written by queens of Science Fiction/Fantasy, Nalo Hopkinson and Octavia Butler! While these two prolific and award-winning authors are considered “canon” for SFF, they’re always worth a revisit (or a first visit for some).

 

Celebrate Black Literature: A Q&A with Nicky Drayden

Join us in celebrating Black Literature! We are working to recognize Black History Month by highlighting black Texas authors, readers, and contributors to the literary community in a series of blog posts. Thus far, we’ve had contributions from  TBF Community Ambassador Peggy Terryaward-winning children’s author and illustrator Don TateDr. Rosalind Oliphant Jones, the founder of the Austin African American Book Festival, and the new Austin Public Library director Roosevelt Weeks.

Today, we have an exciting Q&A with Austin resident and 2017 Texas Book Festival author Nicky Drayden! Drayden is a Systems Analyst who dabbles in prose when she’s not buried in code. Her debut novel The Prey of Gods is set in a futuristic South Africa brimming with demigods, robots, and hallucinogenic hijinks. See more of her work on her website,  or catch her on Twitter. Keep an eye out for Drayden’s forthcoming novel Temper, coming out from Harper Voyager on August 7, 2018!

You can also catch Drayden this coming Saturday, on February 24 at the second annual Celebration of Diverse Literary Voices of Texas at the new Central Library (Living Room, 6th floor) from 1:00 p.m. to 5:00 p.m., presented by the Austin Public Library and KAZI Book Review. We’ll see you there!

 

Texas Book Festival: What inspired you to write Science Fiction/Fantasy? Similarly, what drew you to setting the book in South Africa?

 

Nicky Drayden: Science Fiction and Fantasy are in my bones. “E.T.” was the first movie I saw in a theater, so maybe that has something to do with it. I must have watched “Starman” a million times and one of my first memories is of begging my dad to watch “Superman” every single day when I was three years old. But I didn’t have a label for the shows I liked until much, much later. “Small Wonder,” “Mork and Mindy,” “Alf,” “Quantum Leap,” “Buck Rogers.” They just entertained me, and when I started writing, those were the kind of stories I wanted to tell.

South Africa drew me in as a setting because I traveled to Port Elizabeth back when I was in college, and I thought it’d be interesting to imagine how the experiences I had there could translate into a work of speculative fiction. Obviously, I didn’t come across any disenfranchised demigoddesses or sentient robots while there, but many of the highlights from my visit are featured in the book, for example, we toured some of the rural townships where people live in tin shacks, met teenagers who had recently gone through the circumcision rite, and bought hand-carved souvenirs from local artists. And it seemed like everywhere we went, there were these little cute antelopes called dik-diks rummaging around the city, kind of in a similar way some places have deer overpopulation problems, so those things all got worked into the book.

It was a lot of fun to relive my memories through my writing and to project how South Africa’s unique challenges and strengths would intersect with technological and scientific advancements over the next fifty years.

 

TBF: What kind of research did you do for The Prey of Gods? Was it difficult to write from so many different perspectives, from such different characters?

 

ND: I read articles and novels by South African authors, and—this one’s a bit odd—I dug into the comment sections of a few South African online magazines. People tend not to filter themselves in the comments section, so you can get an interesting glimpse of the issues people are dealing with. I also enlisted a few South African beta readers, and they helped to hone the story, filling in the gaps in my experience with rich texture and delectable details for readers to savor.

I loved the challenge of weaving the characters’ stories together in a cohesive manner. Most of the characters have never met before the story begins, but they’re all connected in various and multiple ways. For example, in Sydney’s first chapter, she’s giving a magical manicure to a woman who’s attending a fundraiser for Councilman Stoker. In another scene, Rita Natrajan, the pop diva in the story, unknowingly shares a robot taxi with Muzi’s brother-in-law and is secretly romantic with Muzi’s best friend’s cousin. It’s a knotty tangle of threads, but I think a few snags make the tapestry more interesting.

 

TBF: How do you go about world-building (one of the most important/hardest parts of SFF, but often is “invisible labor”)?

 

ND: I don’t know if it’s invisible, because readers can tell when you’ve just got a city full of prop buildings. I draw maps with labeled thoroughfares, floorplans of my character’s homes. Figure out their birthdays and zodiac signs. I pick out photographs of what they look like, what clothes they wear, what the buildings look like, and any significant objects mentioned in the book so my descriptions have some grit. Having world-building clear in my mind when I’m writing comes out not necessarily a big info dump, but in telling details. The lapel pin on a character’s jacket, the type of necklace a character wears and why. Details beget details, so the more you know going into the novel, the deeper it will lead you.

 

TBF: Who are some of your favorite Science Fiction and Fantasy Writers? Who has had an influence on your writing?

 

ND: Neal Stephenson is my favorite author. I had a writing mentor back in the day, and we were out at Half Price Books, and he pulled Crypotonomicon from the shelf and pretty much forced me to buy it. He was nearly shaking recalling a submarine scene. So I bought it and read it. And from then on, I was hooked. I’d never read anything with so much depth and attention to detail. When I read Stephenson’s Seveneves, I felt like I’d earned an honorary degree in orbital mechanics.

On the fantasy side, I like N. K. Jemisin. I started her Hundred Thousand Kingdoms and literally could not putit down. It was a good thing I was on vacation at the time, or I would have had to take a sick day. Her worlds are completely immersive, and the characters are so deep, and she’s not shy about jerking your emotions around.

There are also a ton of up-and-coming authors I’ve got my eye on. I was blown away by Kai Ashante Wilson’s A Taste of Honey. If you’re into generation ships and awesome world-building, Noumenon by Marina J. Lostetter will sweep you away. And Viscera by Gabriel Squailia is both hauntingly dark and delightfully funny.

 

TBF: What was the best part of writing The Prey of Gods?

 

ND: I loved creating these characters who are all horribly flawed. Of the six main characters, any of them could be the antagonist of the story, which I think makes them easy for readers to connect to in some ways and challenges them in others. Nomvula, a ten-year-old girl coming to grips with her newfound powers, commits atrocities worse than the villainess of the story. Muzi, a teenager with mind control, makes bad decision after bad decision. Nearly every page you want to shake some sense into him, but you never stop cheering for him. They’re all complicated, frustrating, and relatable.

 

TBF: What advice would you give to new and/or up and coming black authors in science fiction? 

 

ND: Guard your writing time. Guard the vision for your story when accepting feedback. It takes quite a while to hone your craft, and it’s all but impossible to do so in a vacuum, so most young black writers will come up against well-meaning critiquers and editors who can do real damage to a manuscript, or worse, to the writer’s sensibilities.

Your story might not always make sense to others, but that doesn’t mean that what you’re doing is wrong. It might be that your craft isn’t fully developed yet, and you need more experience to pull it off. Maybe it just needs to find the right set of eyes. So write more, read more, keep submitting and keep challenging yourself to grow as a writer and a person.

 

TBF: What are you working on next?

 

ND: I just finished copyedits on Temper, which is coming out August 7th. I’m really excited about this one, and though it is also set in a (fictionalized) South Africa, it was a whole set of different challenges because I was both building a world from scratch while drawing upon existing cultural references.

It’s about a wayward teenaged boy named Auben Mutze who starts hearing voices that speak to his dangerous side—encouraging him to perform evil deeds that go beyond innocent mischief. Lechery, deceit, and vanity run rampant. And then there are the inexplicable blood cravings…

It’s a mix of science fiction and fantasy like The Prey of Gods, though this one dips a little into horror and dark humor as well.

Celebrate Black Literature: [HER]story Month

Join us in celebrating Women’s History Month! Today, we want to feature ten recent or forthcoming books authored by award-winning black women authors that really must go on your 2018 reading lists! This list of novels, memoirs, and other works are characterized by their honest narratives and fearlessness in the face of controversy. We hope you’ll be able to pick up one or more of these books, not just this month, but throughout this year, so you can see why these books have been lauded by many prestigious national awards.

 

Nonfiction Picks:

 

This Will Be My Undoing by Morgan Jerkins

Recognition:New York Times Best Seller, February 2018 Indie Next List, and listed as a “Most Anticipated Book of 2018” by Esquire, Vogue, Elle, Nylon, and many others.

I decided to start this list with Morgan Jerkins’s This Will Be My Undoing because of how raw her narrative is. Jerkins is not scared of not only dissecting the treatment of blackness in our society, but also dissecting how this treatment affected her as a girl. Jerkins walks the reader through her life, from when she brutally admits why she once attempted to conceal her blackness during cheerleading tryouts, to when she began to accept her blackness and take on the weight of what that means for her after she found out she was rejected from the team and called a racial slur for even attempting to try out.

Publisher description: “Morgan Jerkins is only in her late twenties but that has not stopped her from tackling controversial topics such as: what does it mean to live, be, and exist as a black woman today? Jerkins welcomes a conversation for not only black women, but also for all Americans. Doubly disenfranchised by race and gender, often deprived of a place within the mostly white mainstream feminist movement, black women are objectified, silenced, and marginalized with devastating consequences, in ways both obvious and subtle, that are rarely acknowledged in our country’s larger discussion about inequality.”

 

 

We’re Going to Need More Wine by Gabrielle Union

Recognition: A New York Times Best Seller, two 2017 NAACP Outstanding Literary Work nominations, November 2017 Indie Next List, and praise by Mindy Kaling.

If you’ve binge watched 10 Things I Hate About You or Bring It On (like I have), you may recognize Gabrielle Union from her roles in those movies. In We’re Going to Need More Wine, Union discusses how she has had to navigate her life in the public eye as a black woman. Most importantly though, Union also opens herself up when talking about her own experience as a sexual violence victim and survivor. According to the New York Times, Union did not hold back when discussing her experiences during her book tour talks. As a result, many men and women felt comfortable to open up to her about their own personal experiences during Union’s tour.

Publisher description: “One month before the release of the highly anticipated film The Birth of a Nation, actress Gabrielle Union shook the world with a vulnerable and impassioned editorial in which she urged our society to have compassion for victims of sexual violence. In the wake of rape allegations made against director and actor Nate Parker, Union…instantly became the insightful, outspoken actress that Hollywood has been desperately awaiting….Union uses that same fearlessness to tell astonishingly personal and true stories about power, color, gender, feminism, and fame. Union tackles a range of experiences, including bullying, beauty standards, and competition between women in Hollywood, growing up in white California suburbia and then spending summers with her black relatives in Nebraska, coping with crushes, puberty, and the divorce of her parents.”

 

 

 

Fiction Picks:

 

Sing, Unburied, Sing by Jesmyn Ward

Recognition: Winner of the National Book Award for fiction , New York Times Top 2017 Books, Time Magazine’s Novel of 2017, Publisher’s Weekly Top 10 of 2017, and many others.

Jesmyn Ward is the first woman to have won two National Book Awards in the fiction category: first for Salvage the Bones in 2011, and then in 2017 for her newest, Sing, Unburied, Sing. The National Book Award, in my opinion, is one of the most prestigious awards (if not the most) in the U.S. This being said, I believe that one of the many reasons this novel has done so well is because of its unique magical realist narrative.

Publisher description: “This singular American writer brings the archetypal road novel into rural twenty-first-century America. An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing journeys through Mississippi’s past and present, examining the ugly truths at the heart of the American story and the power–and limitations–of family bonds.

 

 

What We Lose by Zinzi Clemmons

Recognition: National Book Foundation Honoree (2017), NBCC John Leonard First Book Prize Finalist (2017), and named Best Book of the Year 2017 by Vogue, NPR, Elle, Esquire, Buzzfeed, and so many more.

Zinzi Clemmons, a 2017 Texas Book Festival author, presents a stunning novel about a young African American woman’s coming of age. Clemmons gives her novel such a distinct voice that makes it feel almost like a memoir. I think most importantly though, Clemmons creates a space where one can explore the concepts of being multi-racial and/or multi-cultural. Whether one identifies as such or not, Clemmons walks the reader through her protagonist’s struggle with finding that perfect balance between her identities–something many first generation and second generation immigrants in America can understand.

Publisher description: “Raised in Pennsylvania, Thandi is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor–someone, or something, to love. The reader watches Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss.”

 

 

 

Young Adult Picks:

 

The Hate U Give by Angie Thomas

Recognition: William C. Morris 2018 Award Winner, Coretta Scott King Book Award, National Book Award Longlist, #1 New York Times Bestseller, just to name a few.

I am really excited to talk about this novel. I first heard of it a couple weeks ago when my professor, Dr. Domino Perez, lauded the impact of the novel and its relevancy to current events. I have Dr. Perez for a Young Adult Fiction and Film class, and the reason this novel came up was because of our discussion on the importance of diversity in literature–specifically in YA. This diversity goes beyond one’s racial identity but also the experiences that come with that racial identity. In Starr Carter’s case, and many others, this is police brutality. In addition to all its accolades, this novel has been adapted into a film by Fox 2000 and stars Amandla Stenberg, and is set to be released in late 2018.

Publisher description: “Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban high school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her best friend Khalil at the hands of a police officer. Khalil was unarmed. Soon afterward, his death is a national headline. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr. But what Starr does–or does not–say could upend her community. It could also endanger her life.”

 

 

Children of Blood and Bone by Tomi Adeyemi

Recognition: Spring 2018 Kids’ Indie Next List 

Although this novel will not be released until March 6th, 2018, I am already excited to read this just based off the summary. Especially if you enjoyed Marvel Studios’s Black Panther with its colorful cultural elements and storytelling, this will definitely be a treat post-movie watching. Like any good YA, Children of Blood and Bone teases the readers with a romance but also hinging on the result of a political outcome. The novel also incorporates magic, a monarchy, and fantasy while grounding itself in West African culture and folklore.

Publisher description: “Zelie Adebola remembers when the soil of Orisha hummed with magic. Burners ignited flames, Tiders beckoned waves, and Zelie’s Reaper mother summoned souls. But everything changed the night magic disappeared. Under the orders of a ruthless king, maji were killed, leaving Zelie without a mother and her people without hope. Now Zelie has a chance to bring back magic and strike against the monarchy. With the help of a rogue princess, Zelie must outwit and outrun the crown prince, who is hell-bent on eradicating magic for good. Danger lurks in Orisha, yet the greatest danger may be Zelie herself as she struggles to control her powers–and her growing feelings for an enemy.”

 

 

Piecing Me Together by Renée Watson

Recognition: Coretta Scott King Author Award, NPR’s Best Books of 2017, and a 2018 Newbery Honor

As soon as I had read the summary of this novel, the first thing I though of was Sherman Alexie’s the Absolutely True Diary of a Part-Time Indian. Renée Watson was also a featured author at the 2017 Texas Teen Book Festival! Piecing Me Together speaks volumes on how the education system treats children differently according to their zip code and their racial identity, and most importantly, what one has to sacrifice and leave behind in order to be successful.

Publisher description: “Jade believes she must get out of her poor neighborhood if she’s ever going to succeed. Her mother tells her to take advantage of every opportunity. And Jade has: every day she rides the bus to the private school where she feels like an outsider, but where she has plenty of opportunities. But some opportunities she doesn’t really welcome, like an invitation to join Women to Women, a mentorship program for “at-risk” girls. Just because her mentor is black and graduated from the same high school doesn’t mean she understands where Jade is coming from. She’s tired of being singled out as someone who needs help. Maybe there are some things she could show other women about understanding the world and finding ways to be real, to make a difference.”

 

 

American Street by Ibi Zoboi

Recognition: National Book Award Finalist, Kirkus Best Book of the Year, A New York Times Notable Book, and many other accolades.

I believe that a community of people that often get overlooked are immigrants and inhabitants of the Caribbean. Due to the historical conditions of imperialism, these people sometimes identify as Afro-Latinx, Latinx, or other identities pertaining to their nation. American Street discusses these concepts, as well as how immigration affects immigrants as they attempt to assimilate into the U.S., and the meaning of racial and cultural identities when merged with other identities.

Publisher description: “In this stunning debut novel, Pushcart-nominated author Ibi Zoboi draws on her own experience as a young Haitian immigrant, infusing this lyrical exploration of America with magical realism and vodou culture. On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie–a good life. But after they leave Port-au-Prince, Haiti, Fabiola’s mother is detained by U.S. immigration, leaving Fabiola to navigate her loud American cousins, Chantal, Donna, and Princess; the grittiness of Detroit’s west side; a new school; and a surprising romance, all on her own. Just as she finds her footing in this strange new world, a dangerous proposition presents itself, and Fabiola soon realizes that freedom comes at a cost. Trapped at the crossroads of an impossible choice, will she pay the price for the American dream?”

 

 

 

Middle Grade Book Pick:

 

Clayton Byrd Goes Underground by Rita Williams-Garcia

Recognition: National Book Award Finalist, Kirkus Best Books of 2017, Publishers Weekly Best Books of 2017, Chicago Public Library Best Books, and many others.

I think that one of the most important themes in this novel is how music links generations, as a New York Times Review called it. Newbery Honor Winner Rita Williams-Garcia provides a powerful narrative to show how music is cultural and generational for many peoples, and also how it affects the coming of age of a young boy as he deals with family, love, and the loss of a family member.

Publisher description: “Clayton feels most alive when he’s with his grandfather, Cool Papa Byrd, and the band of Bluesmen–he can’t wait to join them, just as soon as he has a blues song of his own. But then Cool Papa Byrd dies, and Clayton’s mother forbids Clayton from playing the blues. And Clayton knows that’s no way to live. Armed with his grandfather’s brown porkpie hat and his harmonica, he runs away from home in search of the Bluesmen, hoping he can join them on the road. But on the journey that takes him through the New York City subways and to Washington Square Park, Clayton learns some things that surprise him.”

 

 

I Am Enough by Grace Byers

Although this book will also not be released until March 6th, 2018, many have already given their positive feedback on how well it will do, especially as a Children’s Book. Watch the book trailer below for more information!

Publisher Description: “This is a gorgeous, lyrical ode to loving who you are, respecting others, and being kind to one another—from Empire actor and activist Grace Byers and talented newcomer artist Keturah A. Bobo.”

 

 

The 2018 Texas Teen Book Festival!

The Texas Teen Book Festival has announced its 2018 date! Mark your calendars now for another awesome celebration of YA authors, books, reading, writing, and the wonderful YA community we have here in Texas.

Head to the #TTBF website for full details of when and where to be. Be sure to sign up for the #TTBF enewsletter while you’re there to stay up to the minute with #TTBF news as it hits.

Want to keep up with #TTBF YA love every day? Follow the Texas Teen Book Festival on FacebookTwitter andInstagram.

Celebrate Black Literature: A Q&A with Austin Public Library Director Roosevelt Weeks

Join us in celebrating Black History Month! For the month of February, Texas Book Festival is working to recognize Black History Month by highlighting black Texas authors, readers, and notable contributors to the literary community in a series of blog posts. So far, we’ve had contributions from  TBF Community Ambassador Peggy Terry who shared a fantastic list of books coming out in 2018, award-winning children’s author and illustrator Don Tate who took the time to answer some questions, and Dr. Rosalind Oliphant Jones, the founder of the Austin African American Book Festival and the Folktales Black Women’s Literary Society.

Today, we’re excited to present wisdom from new Austin Public Library director Roosevelt Weeks, who comes to APL from the Houston Public Library system (where he was the much-beloved Deputy Director of Administration) and started in his new position last September. Weeks, a veteran of several Texas libraries, is a brilliant addition to our Austin literary community and we look forward to working alongside him in his exciting new role!

Also, we highly recommend checking out the Celebration of Diverse Literary Voices of Texas at the new Central Library (Living Room, 6th floor) on February 24, 2018 from 1:00 p.m. to 5:00 p.m., presented by the Austin Public Library and KAZI Book Review for the second year running.

Join notable Texas authors (including several previous Texas Book Festival authors) for “author readings as well as panel discussions on cultural diversity, African American education, Mexican American literature and social justice in literature.”

We’ll see you there!

 

What drew you to pursue a career in libraries?

I was volunteering at the Pasadena Public Library providing computer training to customers. A customer told me she needed help learning Microsoft Word so she could get a promotion on her job. I worked with her for about 3 weeks and she came in the library one day and told me she got the job! At this point, I realize the importance of libraries and what they mean to the community.

 

What’s your favorite part of working in the library system? What are some of the most important roles libraries play in Austin (and Texas at large) today?

Meeting people with different background and culture. I love getting out into the community and talking about the importance of reading and the impact libraries how on communities.

 

What are you most looking forward to in your position here at APL?

Working with the various community and community leaders in identifying needed programs and services. Every community is different and I don’t believe in providing cookie-cutter programs and services. Programs and services should be meaningful and life changing.

 

What advice would you give to young black people considering a library degree and career?

If you want to make a difference in your community, a library career is for you. The pay will not make you rich, but it will give you a decent living. There are not enough librarians of color and we need more of them. Libraries and library workers should represent the community they serve. It makes a difference when you walk into a library and you see people that look like you and understand some of the challenges you face.

 

Is there anything you wish more people knew about APL (or even about libraries in general)? What programs/ events do you want to highlight/ make sure Austinites don’t miss?
Libraries are open and free to everybody from all walks of life. If you are looking for ways to start a business, we can help. If you are looking to develop a new skill, we can provide with the resources. If you are looking for entertainment, we have movies and programs from many genres and cultures. If you are looking for a good book, we have millions waiting for you! All of our library locations are safe and welcoming for you to come in to have meetings or just to relax. Finally, all Austinites must come visit our New Central Library. It is six floors of pure delight and excitement, but describing the Central Library makes it hard to do it justice. You must come visit to really appreciate it.

 

What are you reading right now? What are some of the books coming out in 2018 you’re most looking forward to?

I am currently reading We Crossed a Bridge and It Trembled by Wendy Pearlman and Thursday Night Lights by Michael Hurd (a 2017 Texas Book Festival author). I am looking forward to reading The President Is Missing by James Patterson and Bill Clinton, and Down the River Unto the Sea by Walter Mosely.

Celebrate Black Literature: A Q&A With Dr. Rosalind Oliphant Jones

Join us in celebrating Black History Month! For the month of February, Texas Book Festival is recognizing Black History Month by highlighting black Texas authors, readers, and notable contributors to the literary community in a series of blog posts. So far, we’ve had contributions from  TBF Community Ambassador Peggy Terry, who shared a fantastic list of books coming out in 2018, and award-winning children’s author and illustrator Don Tate who took the time to answer some questions.

Today, we’re excited to say we got to ask some questions of Austin legend Dr. Rosalind Oliphant Jones, the founder of the Austin African American Book Festival and the Folktales Black Women’s Literary Society, which grew out of her fantastic independent bookstore Folktales (which closed in 1999). Oliphant Jones has brought countless award-winning and best-selling black authors to Austin both through her bookstore and the AABF, from Pulitzer Prize-winning Poet Gwendolyn Brooks to YA author sensation Angie Thomas, whose debut novel spent more than 40 weeks at #1 on the New York Times Bestseller list. Oliphant Jones has done immeasurable work for our community.

The 12th annual Austin African American Book Festival (AABF) will take place June 23, 2018 at the George Washington Carver Museum, Cultural, and Genealogy Center. Don’t miss this vibrant, one-of-a-kind event!

 

The African American Book Festival Committee (L to R): Peggy Terry, Carol Wright, AABF Founder and Director Rosalind Oliphant Jones, and Anne Boyd

 

Texas Book Festival: What inspired you to start the Austin African American Book Festival?

Rosalind Oliphant Jones: When, in December 1999, it made good business sense to close the doors to Folktales, the Black themed bookstore I launched in the Austin area, I was left both devastated and relieved. I had given so much of myself to this venture, but even though I was exhausted and broke, none of that tarnished my love of books.

Longtime supporters constantly asked if I planned to reopen or if I was ever going to do any more author events. While I had no plans to reopen a full service operation I was organizing a few things here and there:  The Folktales Black Women’s Literary Society was going strong, I organized the Afrocentric Book Club at the high school where I was then teaching, and I also hosted a few author signings and book events around town.

From there, I saw the pioneering Harlem Book Fair, which has been held annually for the past 2 decades, as the creative impetus to start something similar and just as meaningful and influential here.

TBF: How has your experience opening and running Folktales, a successful community bookstore, informed your experience co-founding and running the AABF?

ROJ: Last year marked my 25th year as a bookseller! One thing I realize about great booksellers is they don’t just sell books; they also sell and cultivate a wonderfully multifaceted literary experience.

What we have been able to do with the festival is appeal to a reader’s desire to connect with authors both beloved and newly discovered and to share a kinship with readers in search of that same connection. There is so much excitement in meeting authors and hearing them discuss their work, and with Folktales and the Austin African American Book Festival, we have facilitated space for hundreds of authors to engage with readers in this community. I am really proud of that.

TBF: What’s your favorite part of interacting with authors and readers (through Folktales, the Austin African American Book Festival, Folktales Black Women’s Literary Society, and in any other ways)?

ROJ: I am absolutely fascinated by the work writers do. I am curious to know what their inspirations are, their favorite books, other authors they know, and more!

Back in 1994, Austin Community College brought the Pulitzer Prize winning poet Gwendolyn Brooks to town. Folktales hosted a book signing for her and there was also a private dinner in her honor. I asked so many questions, all of which she graciously answered! At one point, in the midst of our conversation, which included lots of laughing, she looks at me and says something like, “You ask questions like that of a writer.” It was a goldenmoment for sure! This is just one unforgettable moment I have experienced while doing this very rewarding work. There are so many other wonderful stories I could relay about my interactions with writers and readers.

 

TBF: What do you look for when inviting authors and speakers to the AABF?

ROJ: It’s hard for me to put into words what we look for when putting together our festival. With a circle of very smart, charismatic friends who read across genres, we gather for tea or coffee or lunch to discuss books, brainstorm ideas, and create what has, for the last 11 years, culminated into something we believe has been very special and worthwhile for the community.

 

TBF: You’re someone who’s been a major community leader in promoting and supporting black literature and media for some time. Have you seen a shift the ways major publishing houses (and Hollywood) produce or respond to black stories?

ROJ: The world is constantly shifting and publishing houses are no different. When Folktales opened in 1992, it was the “Age of Terry McMillan.” Her first two novels Mama and Disappearing Acts were popular, but then came Waiting to Exhale and the success of that book jolted the publishing industry. Suddenly, the masses realized what many of us already knew: Black people buy books! As a result, we saw this wonderful proliferation of more Black authors getting publishing deals. We saw Black centered products like greeting cards, gift wrap, novelty items, T-shirts—it was thrilling to behold! Unfortunately, by the year 2000, things started slowly winding down. We saw more bookstores closing and some publishers began shifting their focus from a more varied landscape of black literature to a narrower emphasis on urban fiction.

There is talk that we are about to witness another renaissance! The excitement surrounding the Black Panther movie has certainly been contagious! And the fact that it has its origins in comic books and graphic novels counts it as a definite plus for the literary world as well.

 

TBF: Could you share an anecdote or two about the AABF?

ROJ: A powerful moment for me was the year historian Dr. Arnold Rampersad was our keynote speaker. Dr. Rampersad is celebrated for his acclaimed biographies on Langston Hughes, Jackie Robinson, and Ralph Ellison. He was extremely complimentary of the festival and in his opening remarks had created this beautiful tapestry connecting all the authors on program. Later, when we were walking through the museum, he asked me, “Where are the children, where are the youth?”

It revealed a troubling omission, as we had planned that particular festival with little attention to youth programming. It was an oversight we have worked very hard not to repeat.

TBF: What are you reading right now? What book or two (or more are you most looking forward to this year?

ROJ: I hope to complete the Old Testament by mid-year. I am in the book of Deuteronomy, Chapter 18. I just finished Priscilla Shirer’s devotional Awaken: 90 Days with the God Who Speaks, which was uplifting.

I am also loving and learning from the fabulous never before published photographs and interesting backstories in Unseen: Unpublished Black History from the New York Times Photo Archives.

I just picked up Ta-Nehisi Coates’ We Were Eight Years in Power, which I am looking forward to reading it as well as all the books I am told I will be inspired to read as I make my way through it!

I expanded the health section in my library after I was diagnosed with ovarian cancer in 2016. I am all about being a healthy and informed survivor! I just re-read The Immoral Life of Henrietta Lacks by Rebecca Skloot, which provided far too many lessons to recount here. I am also making plenty of highlights and notes in the margins of my copies of The Metabolic Approach to Cancer by Dr. Natasha Winters and Jess Higgins Kelley and The Emperor of All Maladies: A Biography of Cancer by Siddhartha Mukherjee.

I cannot wait to be among the first to read Zora Neale Hurston’s book Barracoon: The Story of the Last Slave, which is due out in May, and I am also looking forward to Angie Thomas’ sophomore release, On the Come Up, in June.

Celebrate Black Literature: A Q&A with Don Tate

The Texas Book Festival Celebrates Black Literature! For the month of February, the Texas Book Festival is celebrating Black History Month by highlighting black Texas authors, readers, and notable contributors to the literary community in a series of blog posts. Last week, TBF Community Ambassador Peggy Terry shared a fantastic list of books coming out in 2018 that she recommends reading, and today, award-winning children’s author and illustrator Don Tate has taken the time to answer some questions we had for him. In addition to being an award-winning author and the illustrator of numerous critically acclaimed books for children, Austinite Don Tate is an outspoken advocate for diversity in publishing, a founding host of The Brown Bookshelf, a Texas Book Festival author, and a long-time TBF supporter and volunteer.

When you’re finished reading here, we recommend you check out the fantastic kid lit blog The Brown Bookshelf, “a blog designed to push awareness of the myriad of African American voices writing for young readers, with book reviews, author and illustrator interviews.” The Brown Bookshelf’s 28 Days Later series for Black History Month features interviews with large number of amazing black authors and illustrators of children’s, middle grade, and young adult literature.

Happy reading!

 

 

Texas Book Festival: What draws you to Children’s literature? Was writing for kids a conscious choice or more the age group you felt inspired to speak to?

Don Tate: Early in my career, I worked at an educational publishing company. My job was to design and illustrate children’s basal books and teaching proucts. The job required some travel to library and literacy conferences. I was inspired by teachers and librarians, who were passionate about children’s literacy. I wanted in on that! Eventually, I illustrated a book for that publishing house called Retold African Myths, written by Eleanora E. Tate.  That was thirty-something years ago, and I’ve never looked back. I love using my art to tell stories for young people. Writing came much later, though—like twenty years later!

 

TBF: I know you’ve written about how, as a kid, you were drawn more to art and drawing than to reading (largely because of the terrible lack of black representation in literature when you were growing up). But how did you first get into art and illustration?

DT: I’ve been an artist as long as I’ve been on this earth. There wasn’t a moment when I accidentally discovered that I liked art. As a child, my hands were always busy drawing and making stuff. I made things like choo-choo trains and cars from empty toilet paper rolls. I created elaborate puppets from socks or from patterns I created. I created macramé wall hangings from twine and beads.  I always had some kind of project in the works. Thankfully, my mom supported my artistic endeavors, even when it meant tearing the house apart and putting it back together. I attended a vocational-technical high school. My core area of study was commercial and advertising art. While there, I became less interested in creating art for art’s sake, though. I liked creating art for a specific purpose: a magazine layout, a t-shirt design, a story! I liked commercial art, or narrative art.

 

TBF: What’s your illustration process look like? How does that compare to your writing process?

DT: My illustration and writing process are similar. When I visit schools, I tell kids that writing is similar to painting a picture. With a picture, I use a paintbrush, a pencil, or some other drawing tool. When I  write, I paint with words. I create worlds using very visual word choices.

With my illustrations, I begin with a rough draft. Same with a written manuscript. The first draft of an illustration or a manuscript is messy. But that’s okay, that draft is like a lump of clay that I can then mold into a story. Because my books focus on history, writing and illustrating both require a lot of research. And before any of that reaches my editor’s eyes, I revise my words and illustrations many times.

 

TBF: What sort of stories do you look for in your writing and/or illustrating? What are some of the elements that you were drawn to in past books you’ve written and illustrated?

DT: I like stories about little-known people who’ve done great things in the face of adversity. These stories inspire me. In my book,  It Jes’ Happened: When Bill Traylor Started to Draw (Lee & Low), which I wrote, a homeless man and former slave with no art training becomes one of the most important outsider artists in the country. In Poet: The Remarkable Story of George Moses Horton (Peachtree), which I wrote and illustrated, an enslaved poet becomes the first African American in the south to get a book published, at a time when it was against the law to teach a black man to read. With Strong as Sandow: How Eugen Sandow Became the Strongest Man on Earth (Charlesbridge), which I also wrote and illustrated, a weak and sickly child grows up to become known as the Father of Bodybuilding and “The Strongest Man on Earth.” These men overcame great obstacles to achieve success. These stories inspire kids to work hard and never give up.

 

TBF: Tell us about your work on the kid lit blog, The Brown Bookshelf:

DT: The Brown Bookshelf was started by YA authors Varian Johnson and Paula Chase-Hyman. They wanted to start an online initiative to support African American children’s book creators, whose works often fly under the radar of the publishing industry. I was invited  to join a whole team of writers and illustrators to contribute to the blog. Together, we work to shine a light on the myriad of diverse voices creating books for young people. February is when we host our “28 Days Later” campaign, where we highlight an African American book creator each day of the month with interviews and guest post. Be sure to check out our 2018 campaign!

 

TBF: I know you do a lot of school visits and events with kids: what’s it like getting to meet your audience like that? What’s one of the best stories that’s come out of interacting with your young readers?

DT: I love meeting my young readers. While they are excited about meeting me, I am equally as excited to meeting them. I’m thankful to school librarians for bringing us all together—authors and illustrators and readers. I’ve had a lot funny and interesting experiences while visiting schools, however one of the most memorable moments happened this past October at the Texas Book Festival. Students at Brushy Creek Elementary School in Round Rock sang a tribute to me and my book Strong as Sandow:

 

TBF: What advice would you give to young authors and illustrators of color? What encouragement?

DT: Polish your craft. Writers: Read and write a lot. And stop worrying about having to find an illustrator, that’s what publishers do. Illustrators: Draw a lot, practice. There is more of an emphasis on diversity in publishing lately, so opportunities are broadening. I’m seeing more faces of color on the covers of children’s books, lately. Most times, however, the creators of those books are not People of Color.  Everyone is answering that call for more diversity, so we’re easily marginalized.  So, Author or Illustrator of Color—get to creating, your voice is needed. While it’s important for a Black child to see Black people represented in the books they read, it’s equally important that they know Black people write and illustrate the books they read. They know this by opening that book jacket flap and seeing a book creator that looks like them.

 

TBF: What, at least to you, is the best part of writing for kids?

DT: Supporting literacy. Knowledge is power, and therefore books are powerful.

 

TBF: What are you working on now?

DT: I have several books on the publication horizon that I illustrated:

Par-tay! Dance of the Veggies (and Their Friends)

Written by the legendary Eloise Greenfield and published by Alazar in April, 2018.

Stalebread Charlie and the Razzy Dazzy Spasm Band

This book, written by Michael Mahin and published by Clarion in July, 2018, is the fictionalized account of the true story seven homeless street kids who helped inspire a new genre of music called spasm.

No Small Potatoes: Junius G. Groves and His Kingdom in Kansas

Written by Tonya Bolden and published by Knopf in October, 2018.

So that’s it for me this year—dancing kids, dancing veggies, and potatoes galore!

 

 

Reading Rock Stars Dallas-Fort Worth

It’s finally time for Reading Rock Stars Dallas-Fort Worth!

We’re so excited to return to Thomas Tolbert Elementary in Dallas on February 8, and also thrilled to announce we will be visiting Rosemont Elementary in Fort Worth on February 9 for the first time!

Whenever we bring a new school into the Reading Rock Stars family, we look for schools which are passionate about reading and ready for the exciting challenge of hosting three author visits in one day. Schools apply for the program, highlighting how their team plans to get their students excited to meet authors, and how they want to use Reading Rock Stars to start new reading initiatives.

In conjunction with Reading Rock Stars, Rosemont Elementary is launching their “Celebrity Readers” program. Members of the community will visit classrooms to read their favorite books and speak to students about why they love to read. The team at Texas Book Festival is happy to provide the very first celebrity readers (and Rock Stars): Vanessa Brantley-Newton, Roda Ahmed, and John August! Vanessa Brantley-Newton and Roda Ahmed will also visit Thomas Tolbert Elementary with veteran Reading Rock Stars author Mac Barnett, who will visit with 4th and 5th grade.

Learn more about our Reading Rock Stars authors and check out their books below!

 

Born and raised in Boulder, Colorado, John August earned a degree in journalism from Drake University and an MFA in film from USC. As a screenwriter, his credits include Big FishCharlie’s AngelsCharlie and the Chocolate FactoryCorpse Bride, and Frankenweenie. His books include Arlo Finch in the Valley of Fire.In addition to his film career, he hosts a popular weekly podcast, Scriptnotes, with Craig Mazin. He also created the Writer Emergency Pack, an educational storytelling tool that was distributed to over 2,000 classrooms in partnership with nonprofit literacy groups like 826LA and NaNoWriMo. John and his family live in Los Angeles.

John’s book: Arlo Finch in the Valley of Fire 

 

Roda Ahmed is a Norwegian author and columnist born in Hargeisa, Somalia. Roda is the bestselling author of Forberedelsen (The Preparations). Mae Among the Stars is her first children’s book. She speaks five languages: Somali, Arabic, Norwegian, English, and French. Roda lives in LA with her husband and two children.

Roda’s book: Mae Among the Stars 

 

Vanessa Brantley-Newton is a self-taught illustrator, doll maker, and crafter who studied fashion illustration at FIT and children’s book illustration at the School of Visual Arts in New York.  She is the author and illustrator of Let Freedom Sing and Don’t Let Auntie Mabel Bless the Table and has illustrated numerous children’s books including Mary Had A Little Glam by Tammi Sauer, One Love and  Vanessa currently makes her nest in Charlotte, North Carolina with her husband, daughter, and cat.

 

Vanessa’s book: Grandma’s Purse 

 

 

Mac Barnett is a New York Times-bestselling author whose books for children have sold more than one million copies in the United States and have been translated into over 30 languages. His picture books include two Caldecott-Honor-winning collaborations with Jon Klassen: Sam & Dave Dig a Hole, which also won the E.B White Read-Aloud Award, and Extra Yarn, which won both the Boston Globe-Horn Book Award and the E.B. White Read-Aloud Award. Leo: A Ghost Story, illustrated by Christian Robinson, and The Skunk, illustrated by Patrick McDonnell, were named two of the Ten Best Illustrated Books of 2015 by The New York Times. Mac’s novels include the Brixton Brothers mysteries and  The Terrible Two series. He lives in Oakland, California.

Mac’s book: The Terrible Two Go Wild 

 

 

 

 

 

 

 

Celebrate Black Literature: Peggy Terry Recommends 2018 Reads

As we continue adding to our 2018 TBR lists (and wondering feverishly when we’ll ever sleep again), friends and fellow readers keep giving us more forthcoming titles to add. This fantastic list of recommended titles being published in 2018 comes from Peggy Terry, an Austinite, long-time avid reader, and one of the Texas Book Festival’s Community Ambassadors.

In addition to her work in human resources, Terry is an integral part of many community organizations: she’s been a Texas Book Festival volunteer since 2014 and has been active with the Austin African American Book Festival since its start in 2007. She is also a founding member of Folktales’ Black Women’s Literary Society in 1993 and has been the co-chair “for over a decade (or two).”

Happy reading, y’all!

Above: Peggy Terry (center, wearing grey) with the Folktales Black Women’s Literary Society in November, 2017

 

Returning authors:

Down the River Unto the Sea – Walter Mosley 2/20/18.

Mosley introduces a new character – Joe King Oliver.  Oliver has been forced off the New York police force.  Now he works as a private detective.  He receives a card in the mail with information about the case that framed him.

American Histories: Stories – John Edgar Wideman 3/20/18

In this singular collection, John Edgar Wideman, the acclaimed author of Writing to Save a Life, blends the personal, historical, and political to invent complex, charged stories about love, death, struggle, and what we owe each other. With characters ranging from everyday Americans to Jean-Michel Basquiat to Nat Turner, American Histories is a journey through time, experience, and the soul of our country.

 

Barracoon: The Story of the Last Slave – Zora Neale Hurston  5/8/18

Hurston’s previously unpublished work.  Compiled in 1931, Ms. Hurston records Cudjo’s story providing a first hand account of memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.

 

A View of the Empire at Sunset – Caryl Phillips 5/22/18.

A biographical novel of the life of Jean Rhys, the author of Wide Sargasso Sea.

Raisins in MilkDavid Covin 6/1/18

This is a coming of age novel of a Black girl, Ruth-Ann Weathering, born in Mandarin Florida in 1900. It traces events from 1913 – 1920.

On the Come Up – Angie Thomas 6/5/18

Follow up novel to The Hate U Give.   Ms. Thomas returns to the world of Garden Heights for a story about an aspiring teen rapper and what happens when you get everything you thought you wanted.

Praise Song for the Butterflies – Bernice McFadden 7/3/18

A contemporary story that offers an educational, eye-opening account of the practice of ritual servitude in West Africa.

 

Chariot on the Mountain – Jack Ford 7/31/18

Story based on little-known true events.  Slaves set free but are dragged back a gang of slave catchers. Kitty, the emancipated slave, goes to court charging her cousin (the slave owner’s nephew and leader of the slave catchers) with kidnapping and assault.

 

 

Survival Math: Notes of an All American Family – Mitchell Jackson 8/14/18

Combination of an autobiographical tale mixed with an examination of cultural forces.  Jackson presents a microcosm of struggle and survival in contemporary urban America.

Black Leopard, Red WolfMarlon James, Fall, 2018

This will be the first of three fantasy novels and James calls it an African GAME OF THRONES.

 

Re-releases:

These re-releases of previously published books give us a great opportunity to re-read works of a bygone time.

Not Without Laughter – Langston Hughes (originally published 1930)  1/16/18

Our greatest African American poet’s award-winning first novel, about a black boy’s coming-of-age in a largely white Kansas town

Black No More – George Schuyler (originally published 1931)  1/16/18

The landmark comic satire that asks, “What would happen if all black people in America turned white?”

 

 

The Blacker the Berry – Wallace Thurman (originally published 1929)  1/16/18

The Blacker the Berry was the first novel to openly address color prejudice among black Americans when released in 1929.

 

 

Dessa Rose – Sherley Williams (originally published 1986)  1/16/18

In 1829, in Kentucky, a pregnant black woman helped lead an uprising of a group of slaves headed to the market for sale. She was sentenced to death, but her hanging was delayed until after the birth of her baby. In North Carolina in1830, a white woman living on an isolated farm was reported to have given sanctuary to runaway slaves. In Dessa Rose, Sherley A. Williams asks the question: “What if these two women met?”

The Darkest Child – Delores Philips (originally published 2004)  1/30/18

Tangy Mae is the 6th of 10 fatherless children.  She is the darkest–and in her mother’s eye, the ugliest.  Her mother pulls each one from school to earn money to support her.  But Tangy is smart and has been chosen to help integrate the local high school.

Iola Leroy, or, Shadows Uplifted – Frances Harper (originally published 1892)  2/28/18.

Iola lived a life of comfort until the death of her father when she learns that she is of mixed race and is sold into slavery.  With the end of the Civil War, Ms. Leroy devotes her life to the uplift of the Black race.

 

Wild Card – other books I am most looking forward to:

May We Forever Stand: A History of the Black National Anthem – Imani Perry 2/19/18

Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office.

 

A Perilous Path: Talking Race, Inequality, and the Law Sherrilyn Ifill,‎ Loretta Lynch,‎ Bryan Stevenson,‎ Anthony C. Thompson

Ifill is the head of the NAACP Legal Defense Fund.  Lynch was President Barack Obama’s Attorney General.  Stevenson is a best selling author (Just Mercy), MacArthur Fellow and death penalty lawyer. This book is short, but it should be a fun read.

 

 

The President is Missing – Bill Clinton & James Patterson 6/4/18

The White House is the home of the President of the United States, the most guarded, monitored, closely watched person in the world. So how could a U.S. President vanish without a trace? And why would he choose to do so?

Eloquent Rage: A Black Feminist Discovers Her Superpower – Brittney Cooper 2/20/18.

This book argues that ultimately feminism, friendship, and faith in one’s own superpowers are all we really need to turn things right side up again.

Daughter of a Daughter of a Queen – Sarah Bird 9/4/18

Previously a slave, Cathy Williams rejected the life of servitude she would have had as a woman at the end of the Civil War, disguised herself as a man, and enlisted with the legendary Buffalo Soldiers.

Monday’s Not Coming – Tiffany D. Jackson 6/5/18

The mystery of one teenage girl’s disappearance and the traumatic effects of the truth.

 

Martin Luther King Jr. Related:

 

Martin Rising: A Requiem for a King – Andrea Davis Pinkney, Author, Brian Pinkney, Illustrator.  1/2/18

Pinkney covers the final months of Martin Luther King’s life—and of his assassination—through metaphor, spirituality, and multilayered meaning.

 

A More Beautiful and Terrible History: The Uses and Misuses of Civil Rights History – Jeanne Theoharis 1/30/18

Explodes the fables that have been created about the civil rights movement.

The Heavens Might Crack: The Death of Martin Luther King Jr. – Jason Sokol 3/20/18

A vivid portrait of how Americans grappled with King’s death and legacy in the days, weeks, and months after his assassination

Redemption: Martin Luther King Jr.’s Last 31 Hours – Joseph Rosenblum  3/27/18

An “immersive, humanizing, and demystifying” (Charles Blow, New York Times) look at the final hours of Dr. King’s life as he seeks to revive the non-violent civil rights movement and push to end poverty in America.

 

The Seminarian: Martin Luther King Jr. Comes of Age – Patrick Parr 4/1/18

This work is the first definitive, full-length account of King’s years as a divinity student at Crozer Theological Seminary.

 

 

To the Promised Land: Martin Luther King Jr. and the Fight for Economic Justice – Michael Honey 4/3/18

This work challenges us to think about what it would mean to truly fulfill King’s legacy and move toward his vision of “the Promised Land” in our own time

Breaking White Supremacy: Martin Luther King Jr. and the Social Gospel – Gary Dorrien 1/9/18

Dorrien’s work centers around King and the mid-twentieth-century Black church leaders who embraced the progressive, justice-oriented, internationalist social gospel from the beginning of their careers and fulfilled it, inspiring and leading America’s greatest liberation movement.

 

 

Teen/Children:

 

Black Panther: The Young Prince – Ronald K. Smith  1/2/18

T’Challa has been sent from Wakanda by his father to the South Side Middle School in Chicago.  When strange things begin happening around the school, T’Challa starts down the path to becoming the Black Panther.

 

 

Marley Dias Gets It Done (and So Can You!) – Marley Dias 1/30/18

Marley Dias explores activism, social justice, volunteerism, equity and inclusion, and using social media for good.

Strange Fruit, Volume II: More Uncelebrated Narratives from Black History – Joel Christian Gill 2/1/18

A collection of stories from early African American history that represent the oddity of success in the face of great adversity.

Children of Blood and Bone – Tomi Adeyemi 3/6/18

Adeyemi conjures a stunning world of dark magic and danger in her West African-inspired fantasy debut novel.

Tyler Johnson Was Here – Jay Coles 3/20/18

This debut novel tells the story of twin brothers who go to a party that ends with one of them dead at the hands of a police officer.  The surviving twin must cope with the death, help his mother, and learn what justice really means.

 

 

The Parker Inheritance – Varian Johnson 3/27/18

A mystery is explored when the granddaughter finds a letter to her grandmother who left town in shame.  A boy from across the street helps in deciphering the story.

 

 

Little Man, Little Man: A Story of Childhood – James Baldwin 8/24/18

This re-released picture book is James Baldwin’s only children’s book, depicting the environment and daily life of two boys coming of age in Harlem.

After the Shot Drops – Randy Ribay 3/6/18.

A powerful novel about friendship, basketball, and one teen’s mission to create a better life for his family

The Beauty That Remains – Ashley Woodfolk 3/6/18

Told from three diverse points of view, this debut novel tells a story of life and love after loss.